The Postmodern Turn: irony and Parody in 'A Valediction forbidding mourning'

dc.contributor.authorArif, G.M. Javed
dc.date.accessioned2018-11-08T04:08:49Z
dc.date.available2018-11-08T04:08:49Z
dc.date.issued1/1/2007
dc.description.abstractA Valediction Forbidding Mourning' by the contemporary American poet Adrienne Rich incorporates some ironies in its structure and at the same time parodies the 17th century English poet John Donne's 'A Valediction: Forbidding Mourning'. These instances of irony and parody in rich's poem point to its postmodern nature- its subjectivity, self-consciousness, historicity and self-critical distance-and thereby dehistoricize and deconstruct Donne's poem and its conventions. But before turning to the discussion of the nature and function of the irony and parody inherent in rich's poem, It is necessary to engage with the nature of these two tropes so that the discussion receives an adequate theoretical foundation.
dc.identifier.otherhttp://dspace.ewubd.edu:8080/handle/2525/2793
dc.identifier.urihttp://dspace.ewubd.edu/handle/2525/2793
dc.language.isoen_US
dc.publisherEast West University
dc.sourceEast West University Institutional Repository
dc.subjectPostmodern Turn
dc.titleThe Postmodern Turn: irony and Parody in 'A Valediction forbidding mourning'
dc.typeArticle

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